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Which is, of course, a cue to once more laugh again at that guy with the Transatlanticism tattoo. But that notion gets flipped with Niblett's other favored mode of musical delivery: cheerleader chants sometimes literally spelling out words matched to just a rudimentary drumbeat (. Both live and on record, it often belle bite raide grosse bite gay
sounds as if she's trying to connect to a primal part of herself, away from words and language, communicable only through pure sound.
- Zion Memorial Orchestra Tra-La-La Band 'Horses in the Sky' (2005) Silver. It's a blinding highlight: the best songs on one of the decade's best albums. Though recorded in his bedroom at his parents' house in Albuquerque, Condon's romantic music summons sentimental vision of Europe; never moreso than in the rapturously romantic Postcards from Italy, a stirring, swelling ballad that's truly one of the very best songs of the '00s.
- 75 of 100 Modest Mouse 'The Moon Antarctica' (2000) Though Sony lamented their initial investment in Modest Mouse, and Isaac Brock publicly bitched about life in thrall to beancounters, The Moon Antarctica the major-label debut whose initial sales were deemed. This event attracts a mixed crowd, but everyone at this party is flamboyant, colorful, and uninhibited, regardless of their sexual orientation. Ask a European where the best nearby annonce gay naturiste gay pride events are and you wont hear London, Paris, or Munich. The Power Out served as radical departure-point; the English girl-group's once-singular sound exploding into a myriad of sonic ideas. Yet, in fame-friendly death, they found artistic transfiguration, authoring what is, far and away, their best record.
- Obscurity isn't a curse. 59 of 100 Juana Molina 'Tres Cosas' (2003) The phrase 'comedienne-turned-songwriter' has all kinds of bad connotations, but Juana Molina, once the star of an Argentine sketch-comedy show, makes music that is utterly magical. One of the most famous is the. It makes for the most extreme, intense, and nasty Walker set yet.
- I Don't Want It Anymore/Yours 4-Ever, Nicolai Dunger Here's My Song is straight singer-songwriterism; richly-orchestrated tunes grandly backing Dunger's achey croon. That starts with You Never Got Me Right, two minutes of barreling, boisterous, piano/male-bashing that strikes blows at a condescending former beau. And though it's earnt its rep as some lo-fi outing, Vernon shows a suspiciously-sophisticated production touch; the many layers of For Emma spinning an intricate, multi-timbral web of brassy heartache. Going way beyond where his other, more-famous outfit would ever dare, Krug's third Sunset Rubdown LP is ambition laid upon ambition; a mad tangle of off-kilter guitars and smashed keyboards in which he eagerly slathers on idea after idea.
- 76 of 100 Ugly Casanova 'Sharpen Your Teeth' (2002) Taking respite from Modest Mouse after feeling frustrated by his major-label dealings with The Moon Antarctica, Isaac Brock made a solo album wielding the countryish licks he'd been whetting since 1997's The Lonesome Crowded West. Collaging diverse sounds opera, free-jazz, dissonant static, tropicalism, electro-pop, spoken-word with careful editing and profound juxtaposition, Karie's daring fifth album assembles thousands of tiny fragments of sound into some of the most avant-garde songs ever to be sold as commercially-accessible pop. On their debut LP, Mirrored, the quartet create complex compositions of dynamic, overlapping rhythms that are really, really rhythmic; swarms of fretboard-tapping guitars and cymbal-rattling drums gathering a kinetic sense of momentum that favors ass-shaking over chin-stroking.
- Interpreting ten traditional folksongs, Amidon sings them in a croaky baritone bordering on monotone. Episodes, why Japanese Live So Long by, john Daub. When not undertaking odd juxtapositions, Boogaerts stuffs 2000 with killer pop-songs; Tu Es perhaps the most brilliant three minutes of his brilliant career.
- 70 of 100 Evangelista 'Hello, Voyager' (2008) Through 30 years of ragged, red-raw music, Carla Bozulich's ever-shifting musical career can be charted not as ebbs and flows, but grand, tidal, heaving shifts. Their '97 debut was a free-jazz-ish wreck of smashing glass, guitar shards, spasmodic bass, absurdist lyricism, and erratic percussion. Over the top, Arulpragasam lets loose a lyrical haranguing, fusing hip-hop bluster with armed-resistance sloganeering as if stitching the first and the third world together like some musical factory-worker.
- Japans Festival of the Steel Phallus is a celebration of all penises big and small. Everyone gets into the spirit, from grandmas licking anatomically correct lollipops to one of the largest cross-dressing contingents in Japan. If you search for John Daub online, you re most likely to encounter.
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- It's become almost an Imagine for the iPod generation: a perennial power-ballad about making hay in the face of your imminent demise. On the achingly beautiful We, what they sing together, in gentle Japanese, translates as: Every day we fall in love, and share the same time. Though there were cultural boundaries to cross (wait, you guys practice? Meaning: you listen to All is Well, you probably cry. And, on the suitably dreamy Dreams, they set to work bashing out stormy stagings of compositions by Otomo's friends and peers, including Seiichi Yamamoto of Boredoms and Jim O'Rourke.
- 19 of 100 Broadcast 'The Noise Made By People' (2000) When Brummie outfit Broadcast blithely arrived in a sea of modular organs, rickety drums, and cooing vocals, they were summarily as a second-rate Stereolab. LPs, the American lyricist's mixture of tragicomic neuroses and uncomfortable intimacy has earnt him more comparisons to Woody Allen and Larry David than singer-songwriters.
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